By Judith Gayle | Political Waves
The mills of the gods grind slowly, so they say, and as far as I can tell, just about everything is grist for the mill. I can’t verify the first; it seems that lately the grinding has gotten faster and more painful, but I’ll vouch for that last: everything we experience was grown from our own expectations and projections, the final product of some collective agreement among us, waiting its turn at the shredder.
With each piece of incoming information, we must extract what wisdom is available and quickly, because no matter how difficult an event, life does not stand still. The turning gears will press out the next situation in no time — a new set of circumstances, a new tableau of challenges and opportunities — because we can’t NOT strive toward some kind of final outcome. We misunderstand what ‘final’ means, sadly, but we’re pretty sure that ‘outcome’ is the measure of our ‘success.’ All three words define our current plane of consciousness. It seems to me that we’ve been on the road to somewhere for a long time but we can’t begin to get there until we redefine those three words.
We’re a busy species, always up to something, always rearranging things to suit us and then chiseling them in stone, attempting a freeze-frame, trying to capture lightning in a bottle. That’s the problem with our attempt to ‘finalize’ what is constantly moving and flexing, a stumbling, inept exercise. Anxious for a 21st century that rises above the darker shadows of the 20th, some want to craft a governmental system that is responsive to the ever-shifting energy of change and progress; others want to recreate what is long gone, fearful of where change might take us, and with whom.
This is a global anxiety, of course, one we’ve been tracking for quite a while, and it’s due to hit harder in the coming weeks, courtesy of the Uranus/Pluto alignment. Because Americans have traditionally thought themselves in civic partnership with their government — most recently lulled by a reasonably stable standard of living and social construct — our in-fighting is primarily directed among political parties. In much of the rest of the world, where citizens have few rights or guarantees, people are rising up against overt political repression and abuse. Where we are frustrated, they are exhilarated; where we are squeezed socially and financially, their very survival is endangered. In terms of social growth, they seem better off than we are: they’re staring reality in the face. Sadly, we’ve got a way to go yet, the deluded among us unwilling to surrender to the social and political imperatives intruding on their lives and making a bumpy road even more perilous for the rest of us.
Again, what we resist, persists. Unless we are willing to surrender to the facts on the ground — not drawing conclusions but also not hiding within some bubble of truthiness we prefer to hard truth — we are unable to draw in new, life-giving energy. But before we can let go of our misperceptions, we must truly see ourselves, glimpse our own ‘stuckness,’ witness our chronic inflexibility. With this rare transit of Venus and mix of eclipses, then, we have an opportunity to take a leap in awareness, even those among us who have held tight to stuffed-down, unexpressed feelings and long-cherished beliefs, trapping them — and us — in limitation. This is our chance to break the lock on our emotions, pulling in a shift of energy that will help us all find ourselves with a foot in both worlds, in proper Gemini fashion. We are standing on the brink of choice, deciding if we want to enter the flow of co-creating a light-filled future or sink back down into what is known, even as that becomes increasingly uncomfortable and unsustainable.
It’s the human condition being informed by these clusters of remarkable transits. Because creation requires emotion, nothing can change on this plane without direct personal experience. In terms of government and god — each and both, together — we’re hampered by our all-or-nothing collective imagination. For instance, humankind has traditionally bastardized the message of most of our spiritual avatars by solidifying some kind of doctrine out of their authentic mysticism and teaching. What is unworkable about that is obvious. Unless we each individually encounter such an experience, we interpret transformative information in material terms, trying to fit transcendence into a tight, ill-fitting box. Historically, we give over our personal power to small men with smaller vision, and until just recently we’ve made no attempt to expose them. Then, when such systems don’t work as advertized, we throw them out with the bathwater without finding the mystical jewel of wisdom hidden in their depths. The lockstep belief of the religious is as faulty as the unyielding suspicions of the anti-religious. When it’s all or nothing, there is “right” and there is “wrong,” but no divinely-inspired cosmic aha!
If we want to discover wisdom, we must suspend judgment and sit with our circumstances to palpate the truth of them. As we discover our personal power, we are suddenly unafraid of anyone else’s. That’s when we remember that it’s our responsibility to bring our best effort to the collective, lifting others along with ourselves. We become bigger still when we are in service to one another. As Venus travels across the face of the Sun, then, as the heart-chakra of humankind trembles with renewed energy, we must remember that we are linked by a common bond. Dr. King reminded us of our oneness when he said, so long ago:
“All this is simply to say that all life is interrelated. We are caught in an inescapable network of mutuality; tied in a single garment of destiny. Whatever affects one directly, affects all indirectly. As long as there is poverty in this world, no man can be totally rich even if he has a billion dollars. As long as diseases are rampant and millions of people cannot expect to live more than twenty or thirty years, no man can be totally healthy, even if he just got a clean bill of health from the finest clinic in America. Strangely enough, I can never be what I ought to be until you are what you ought to be. You can never be what you ought to be until I am what I ought to be. This is the way the world is made.”
Along with an expected influx of cosmic energy that is guaranteed to leave us different from how it found us, we each need as large a dose of compassion as we can muster. We need to see ourselves clearly, but unless we can view what we find through the lens of our heart-chakra — loving and accepting — we will be full of self-loathing and self-sabotage, imprisoned by the judgmental ‘original sin’ concept that has kept us from realizing our full potential for a millennium. If we consider ourselves merely our baggage and history, we will be bogged down in discouragement. If we imagine ourselves to be our wounds, we are hearing the wrong voice.
Kahlil Gibran told us, ” … your hearts know in silence the secrets of the days and nights.” Whatever our minds tell us, whatever scenario for ‘success’ our minds construct for us, the mind can only analyze the details of our past; it is not able to project itself into a future unlike anything it has known before. If we are looking for truth, we must not ask our minds: we must instead consult our hearts. As Neal Donald Walsch says, “Only your heart can see beyond memory’s horizon.” For those seeking liberation from Karma’s wheel, the choice between head and heart has always been the most critical decision we can make. For those anticipating Shift, it’s imperative.
Perhaps this is our time to truly learn about love: it seems to me that we don’t know much about it. We’ve spent decades learning what it is not, perhaps now we have enough information to take that to the next level. As powerful juju, more grist for the mill — and with nothing being random — we got another look at what love isn’t this week. This was the week that the History channel made actual history with the highest-rated entertainment telecasts for ad-supported basic cable, drawing more than 14 million viewers for the final installment of its three-day historical docudrama, The Hatfields and The McCoys.
Originally airing historical documentaries, the History channel attempted to make up for several years of semi-hysterical offerings about the apocalypse, Nostradamus, space aliens and Satan’s influence by giving us a first-class, network-worthy docu-drama replete with gritty filming and real movie stars. Keeping close to the known facts about the infamous post-Civil War blood feud between West Virginia’s ‘Devil Anse’ Hatfield and Kentucky’s Randall McCoy, viewers got six full hours of murder, madness and family/tribalism at its worst. Reviews are in, with most approving the effort, although some thought it too much blood and violence. Others thought it had too much explanation of legal issues and too many examples of insult and slur, but how else to deconstruct a true tale of American vengeance and hatred which lasted over thirty years, based on little more than a personal grievance between the family patriarchs?
There’s more than a bit of Appalachian folk history in this yarn, but facts speak louder than the tall tales of backwoods violence (along with a tragic Romeo and Juliet subplot) put forth, starring Kevin Costner and Bill Paxton. Kidnappings, imprisonments, law suits and head-bashing marked the relationship between the Hatfield and McCoy families, with members and friends cut down and buried for reasons still mysterious and unclear, a grudge fight involving notions of god, honor and property that escalated into years of full-scale border war, ultimately coming to the attention of the Supreme Court.
This is a tale of what love isn’t, an infamous story of thin skin and pride that nearly wiped out two bloodlines and whatever happiness the warring families might have enjoyed. McCoy was the least able to deal with his losses, a fire-and-brimstone sort who eventually burned to death in a drunken haze, unrepentant and unforgiving. Hatfield had long before published a letter in papers across the nation throwing in the towel, calling an end to hostilities; he died peacefully enough in his own bed. In the year 2000, Hatfield and McCoy descendants came together at a reunion in Kentucky and signed a truce.
Costner making yet another big budget wilderness tale is no big deal except perhaps to the gods, milling this grist very fine. Those who watched the three days of dark 19th century dealings got a fresh look at the human condition not so very long ago, an echo of the irrational and mindless skirmish going on between people today. It was a story about bad blood. We know such stories too well, a plotline some say began over ownership of a wandering pig and ended up being about family loyalty, political corruption and states’ rights.
This was a revealing, timely presentation. I think it’s possible that many who watched this backwoods marathon noted how far we’d come, or maybe how far we have to go. Perhaps they saw themselves in the plot, or their politics, or their inflexibility. Maybe they heard echoes of the innate racism, “other”ism, tribalism that mark our own decade, or maybe they were startled by the meanness and the violence that reflects our current problems with bullying and vigilantism. Perhaps some saw what unforgiveness produces, what unwitting family agreements earn us, and bemoaned the tragic waste of lives and fortunes. Perhaps this was grist for the mill at just the right time.
Yes, examples of what love isn’t in the 1860s aren’t so very different from those in Syria or Darfur or neighborhoods around the globe today. We know that love could fix it all, but we keep looking in the wrong place. We let our minds get in the way of our hearts. Love isn’t something we’re searching for, it isn’t something we give to get, it isn’t some mold we need to fit ourselves into lest we lose it. It’s what we are. Love is what we are, what we came to express and experience, the one single thing that gives hope to the slings and arrows of outrageous fortune, no matter how difficult.
Love is ever with us, if we are with it. Even when we aren’t, we cannot separate ourselves from love, peeking out from behind our neediness when we can’t feel its reflection. Because it’s at the center of our soul-signature, it takes a bit of practice to feel it in the worst of circumstances as well as the best, but it’s a constant light, informing our choices and asking us to adjust our mental attitudes by consulting our hearts. And with Venus set to display her big energies so close to home, we have a renewed opportunity to allow ourselves to feel what’s within, surrendering to the facts and conspiring with our hearts to create anew.
The words that need change — final, outcome, success — look different if we’re shining awareness out of our heart-chakra. Nothing is final, it is ever-shifting and expressing, finding new co-creation in the universe. Outcome is a finite concept that is instantly replaced by another option, ongoing and alive with possibility. And success? If we feel even the smallest vibration of the love within ourselves, if we can give out of the deep well of self knowing that there is always enough, we are a resounding success.
Life is simple enough, when we whittle it down. If we remind ourselves that our authentic center is fueled by pure love, nonjudgmental and all encompassing, the details will take care of themselves. Einstein said, “Any intelligent fool can make things bigger, more complex, and more violent. It takes a touch of genius — and a lot of courage — to move in the opposite direction.” As Venus opens us into our own loving power, then, let’s find the courage to take the simplest — and most rewarding — path. Let the planet of love remind you of who you are and let your heart open to reveal not only your authentic power but the wisdom of your soul.

Hey Patty,
Not gloating will be the hard part. However, I am sure you’re up to it.
(Heh)
M
oh no – no movie!
I’d say my 4th house got kicked in the pants these last few weeks. I have a couple of lilith points at 15 and 17 Gemini, and tertiary sun and lilith at 24 and 25 Gemini. Something is coming full circle, maybe to an actual end, in more ways than one.
You know Patty, you could write a story yourself and it would make a great movie! I sometimes wonder if most families don’t have great stories that would capture the essence of the Hatfield-McCoy or Bonnie & Clyde (saw some of that on Turner Classics yesterday) mystique. Pretty sure even I could come up with some things that would horrify or shock the status quo. Then again, maybe we are all over being shocked by human nature. However, we know from politics that there is still fear over religions that are “different” so you just might have the makings of a hit. Venus could just be asking you to make it real.
be
Hey Barbara, My mom just reminded me that someone stole one of our hogs too! We always suspected a neighbor, but I would have been shocked if my dad and brothers posse’d up with their rifles to demand restitution. LOL. My dad’s family was a lot more refined than my mom’s side, yet they were Mormon and Catholic, and to be feared, right? yikes, what a world we live in. That all changes after Wednesday, I presume. ha.
Patty,
I’m glad to hear there was more to the Hatfield-McCoy production than what I witnessed in my 8 to 10 minutes of viewing; that was pretty grizzly. Admittedly, I didn’t give it much of a chance, due in part to the overwhelming amount of murder and mayhem on TV “drama” and “news”, which has left my mind over-shocked, over-stimulated and overly depressed. I’ve maxed out on revenge now and need a kinder, gentler style of entertainment before bedtime. Perhaps the story is just too close to home to give it my unbiased assessment, so I’m grateful for your perspective.
be
Mystes, someone else used the term celebration of hate. I sort of grew up in that vibe too, and have been spending a few days thinking about it. My mother told us about a cousin, don’t know how many times removed, who walked 5 miles home to get his rifle, and walked back to a relative’s house immediately following to shoot and kill another cousin. I don’t remember the argument, but as I recall it was not that important. I’m sure it had to do with ‘honor,’ like being called a liar or some such thing. Seeing how this played out in a movie was not entertaining as much as it sorted out a lot of wrong (insane) thinking. The very beginning of the movie has Hatfield deserting the confederate army, and McCoy saying he hates deserters. The whole thing was the opposite of how I thought it would be.
Burning River! Good to read from you!! There’s something salubrious about your vibe today, and so let me wish you a day of Serendipity and Freedom. Come back when you can!!
Lovelovelove,
M
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Hi Judith, the high level of chaos and activity in my life for the past weeks and with more of the same in view, I do not even have time to read all your post today but
“the final product of some collective agreement among us, waiting its turn at the shredder.”
made my day. LOL and yes. I was part of the creation of this collective mess and now I accept responsibility also for the re-creation/transformation/new paradigm shift that must/will/is to come and the shredder isn’t really as bad as it sounds–speaking from, my very personal (ouch!) experience of it right now and knowing much more is to come…
some things just gotta go.
so glad you and all the pw community are there helping us re-piece this crazy-quilt
hope I am not too off topic. Will find time tomorrow to read the entire post
love ya
and, thank you, thank, you, Len, for the consults
+_+
Patty, I dinna say “celebration” – I said “normalizes” hatred/fear/envy. A lot of great art rides on the back of those emotions. Guernica, for example. Very moving.
But where is the antidote? We’re fascinated (fascinum, to have our gaze trapped in a bind) by these vicissitudes just as the Black decrees. In our engagement with these spectacles, we’re Her toy.
It was far from a celebration of hate. My hat is off to Kevin Costner for pulling it off. After seeing the work and attention to historical detail that he puts into his movies, I sincerely appreciate him. If you watch “the Making of Dances with Wolves,” and the risks he took both artistically and financially, it just brings tears and a sense of wonder. To me it was the greatest movie of all time, for showing the native americans as humans and not the animals everyone thought they were. Same with JFK, and now the Hatfields and McCoys. In the Hatfields and McCoys, the role of religious fanaticism and the patriarchal society was captured perfectly, and translates more to our wars in the middle east than to the gangs. It was a little long and could have been edited to 3 hours, but the story was amazing.
Yes, thanks Jude. That’s one big, loving heart you’ve got there.
So beautiful Judith, thank you. love, Love, LOVE!!!!!
Considering that how low you go is absolutely relative to the heights you can attain, just imagine how high we are about to go. So, to everything and everyone that was ‘horrible’, THANK YOU!!! Blessings and love to you for taking us so low so that we may fly. Just think of a pogo stick – the harder you jam it down and tightly compress the spring, the higher you launch into the air. Darkness has it’s purpose.
I see skies of blue and clouds of white
The brightness of day
I like the dark
And I think to myself
What a wonderful world.
Yes, hitchiker72, I’ll see you on the sunny side of the street!! 🙂
Thanks, Judith, for the stirring essay. So, as you were saying. . . . what is it? Love, I mean.
The Hatfield/McCoy passion was dissected on air for *three* days? Crikey. Did they issue handbooks and scorecards at the same time? It isn’t that Americans don’t know how to live down to that level. My concern would be that pouring millions of dollars in (and extracting more millions out) of a drama like this simply normalizes it. Hatred, fear, pride, envy. Oh yay. As B says, “Gimme the Queen, boys, and free my soul.”
The essay is still a jewel, esp. this: “If we want to discover wisdom, we must suspend judgment and sit with our circumstances to palpate the truth of them. As we discover our personal power, we are suddenly unafraid of anyone else’s.”
Lovely.
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Judith,
I got a visual as I read your article of a sailor on a sail boat in a harbor being pulled out towards the Big Ocean. The dropped anchor occasionally catching on the sandy bottom long enough to observe the surroundings and feel a moment of safety as opposed to being pulled into the frightening unknown vastness of the sea. The anchor working itself loose and the boat moving quickly with the currents only to catch for moments along the way. The lone sailor working furiously always with the hope that it would catch secure before the seeming safety of the harbor was lost to the open sea.
I don’t know about the Pea Patch, or other parts of the USA, but here in Kentucky the mind set of the McCoys and the Hatfields is still quite alive. I would hesitate to call it “well” but it does thrive and there are a number of reasons that contribute to that, the biggest, no surprise, are fear and ignorance. If anything can overcome those two, it would have to be Love.
When I was a youngster there was a place in my city called Fontaine Ferry, which we all called “Fountain” Ferry. It was an amusement park and even from a distance you could see the ferris wheel and hear the music, and getting even closer you could smell the popcorn and cotton candy. That would get the gears rolling within our hearts of anticipating hours and hours of nothing but pure fun. I say hearts because our brains had little say in the matter. Talk about emotion! Everybody, I mean everybody loved to go to Fountain Ferry Park. Only exhaustion (ours or our parents’) would finally break the grip of love’s excitement and bring us back down to earth, usually quite content.
To be able to be spent beyond any anger, hatred, or fear is a really good feeling. Not just tired but content with the world, or even happy, for heavens’ sake; it leaves no room for fear to breathe. I think of Venus’s build-up toward her twice-in-a-lifetime pass before the Sun much the way I anticipated going to Fountain Ferry Park. I can hardly wait for the fun to begin and imagine myself like a child, totally abandoning myself to the power of love. Or as you put it, surrender.
Given the choice of watching 3 days of a Hatfield-McCoy celebration of hate, or 3 days of the Queen’s 60 year Jubilee celebration of endurance, I bow to the queen. Already the pagentry of marching men in colorful costume has me gearing up. I can almost smell the popcorn!
Thanks Jude for again bringing us another moving article. Saturdays just wouldn’t be the same without you.
be
This story put me in mind of gang activity, Patty, which ends up providing surrogate families for so many disenfranchised kids, looking for both self-esteem and safety (in the wrong place.) It was also a portrait of how things go wrong within any group that “sides” against another, illustrating how the slightest misstep can sweep them all away. Ultimately the story was about patriarchy. If the first shots fired had been up to the women, none of this would ever have happened and I hope that’s one of the concepts that stick in viewers minds, as we welcome in the Venus energy to balance out the old paradigm power struggle. You’re right, of course — the question is, do we … as the human family … want to be hateful or loving to one another. It really IS that simple.
Fantastic reminder for troubled times. Thanks, and see you all on the other side of the Venus transit!
For me, the crux of the Hatfield movie rested on the moment when the two men returned from the Civil War in the first segment. Hatfield was greeted with loving anguished embrace by his wife for the long separation, and McCoy’s wife turned away from him with bitterness, obviously sorry he survived the war – and we viewers were soon to understand why. The choices of life are fairly simple, do we want to be a hateful family, or loving family? Don’t know why so many people get it wrong and end up destroying so many lives.