The true story of MLK and Lt. Uhura

By Savas Abadsidis

On this day that marks the historic contributions of Dr. Martin Luther King, we’d like to offer you this wonderful heartwarming piece of history that reveals some of the humanity and far reaching impact of Dr. King.

Uhura on the Enterprise

Uhura on the Enterprise

Last week, I interviewed actress and performer Nichelle Nichols for an upcoming new magazine called KISS, which will also feature work by Eric Francis. Nichelle has an upcoming one woman show called ‘Reflections’, wherein she becomes eight legendary African-American performers including Lena Horne, Mahalia Jackson, Sara Vaughn, Etta James and Lady Day among others. The show is a tour of American history through their music with brief monologues to put them in context.

Nichelle herself has made history over the years, playing the role of Lt. Commander (later Commander) Uhura on the groundbreaking and critically acclaimed Star Trek TV show and series of movies. Nichols was among the first prominent African American actors to regularly appear on a network TV show in a capacity  other than a maid or subservient role to a white character. Yes, Kirk was in command, but we also know that he had respectful relationships with his crew; that he viewed them as colleagues and was respected by them as their leader.

Nichols would go on and serve as a spokesperson for NASA and the NAACP, and literally be the inspiration for hundreds of African-Americans to join NASA. Among these was Mae Jamison, whom Nichols met when Jamison was at Cornell Medical School and who Nichols personally inspired to become an astronaut upon completion of her medical degree.

Halfway through the second year of the series, Nichols was offered her own Broadway Show, something  she always dreamed of.  On a Friday in the Fall of 1967, amidst rumors that the show was going to be canceled,  Nichols went to  the series’ creator , Gene Rodenberry,  and submitted her resignation. The following day she was invited to speak on a dais by the NAACP at UCLA. Following the panel discussion an aide informed Nichols that  there was huge fan in the audience who asked to meet her.  Nichols agreed to meet with the fan, whom she expected to be a ‘Trekkie.’  But, as the handsome young man approached her she quickly recognized the smiling face of the Rev. Martin Luther King Jr.

 Herein, is an excerpt from the upcoming article depicting how Dr. King persuaded her to stay on the show.

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“I hope you will get the story right this time, because for some reason, no one has ever gotten this story right,(laughs). I, after the first season, because my heart was still on Broadway and the performing arts part of me, the musical performing arts of me was yearning to leave. I never intended to be an actress other than in the theater. So for me, TV and movies, that was something to help me get from here to there. And so it was a shock for me to be cast in Star Trek . A shock and a joy. I was performing in England at the time of the inception of the show and my agent tracked me down in Paris and told me that they were doing a show called Star Trek, assuming that I’d know what that was. Because I’d been in and out of the country for so long.

Now I’d known Gene Rodenberry since he’d given me my first TV starring role in a show that he’d done called the ‘The Lieutenant’. And he was one of the first people of that stature that gave me encouragement. He called my agent and said can you find Nichelle, because I need her for a role in this show and  wherever she is, get her back here because I want a woman head of a department on the bridge. He changed the role from a man heading communications on the bridge and he wanted a woman of color. He wanted me and I came back and got the role. So the first year went by, and I enjoyed doing the role, to me at that time it was very challenging [laughs] but I played my role to the hilt, being the head of communications and all that and by this time the show had aired and I was starting to get notice and on the side I’m singing at places and people are hearing me and calling and I’m thinking, “Oh this is my big break! I have to leave this little show and go do it! I was thinking Broadway here I come!’

And so I went on a Friday evening shortly before the end of the season to let Gene know that I wouldn’t be returning to the show, he looked at me like I was crazy, “YOU CAN’T LEAVE,” but he realized how serious I was and he knew I was passionate about singing, and he said, “I know what your dream is and so forth but don’t you see what I’m trying to do? He said take the weekend and think about my decision and how important this show is and how it was a first and if I leave, well he didn’t know what to say, but he said take the weekend and that way I could take the time to really think about what we just said and come back Monday and we would talk about it and if you really want to leave then, you’ll go with my blessings, but realize I want you to know that what we are doing here is really historic. The next night was Saturday and I was due to be a celebrity guest on a dais at an NAACP fundraiser at UCLA.

One of the organizers came up to me and said that there was someone who wants to meet you; and he says that he’s you’re best, biggest fan and I’m thinking it’s a Trekkie! [laughs] and so I said certainly and I got up and turned around and maybe 10 or 15 feet coming towards me I see Dr. Martin Luther King and I remember thinking whoever that little fan is, he’s going to have to wait, because here’s Dr. King, who walks straight up to me with this big, magnificent smile on his face and says, “I’m the fan!” because I’m sort of looking around for someone else, and he says, “I am your best fan, I am your biggest fan!” and I… I was at a loss for words, and if you know me, I am never at a loss for words.

I just couldn’t say a thing and he began to tell me how important my role was, what an inspiration it was. And you have to understand we were in the middle of the Civil Rights Movement, people were regularly being attacked by dogs, and marchers were being hosed on the television every night, real life things, and here I am in this futuristic thing on TV and he was so complimentary, he told me “I was so important and the way you have created this role,” and I am just looking at him and looking at him and I remember I just kept hoping he’d never stop talking. Because his voice is just… you know the voice. And I finally just start saying, thank you so much Dr. King and I am shaking his hand and still shaking from nervousness and I said thank you so much and I am really going to miss my co-stars.

And at this his face totally changed, and he said “What are you talking about?!” and so I told him I would be leaving the show, because; and that was as far as he let me go, and he said, “STOP! You cannot! You cannot leave this show! Do you not understand what you are doing?! You are the first non-stereotypical role in television! Of intelligence, and of a woman and a woman of color?! That you are playing a role that is not about your color! That this role could be played by anyone? This is not a black role. This is  not a female role! A blue eyed blond or a pointed ear green person could take this role!” And I am looking at him and looking at him and buzzing, and he said, “Nichelle, for the first time, not only our little children and people can look on and see themselves, but people who don’t look like us, people who don’t look like us, from all over the world, for the first time, the first time on television, they can see us, as we should be!

As intelligent, brilliant, people! People in roles other than slick tap dancers, and maids, which are all wonderful in their own ways, but for the first time we have a woman, a WOMAN, who represents us and not in menial jobs, and you PROVE it, this man [Gene Rodenberry] proves and establishes a precedent that validates what we are marching for because three hundred years from today there we are, and there you are, in all our glory and all your glory! And you CANNOT leave!”

And I did not leave.

I went back on Monday and told Gene that if he hadn’t replaced me and still wanted me to stay that I would and I told him what Dr. King said, and I’ll never forget him sitting behind that big desk that he had and he said, “so that’s your decision?” And I said I’d like my letter of resignation back please and I told him what had happened while meeting Dr. King, and I don’t know if you know what Gene looked like, but he was a big guy and was like 6’3” with that hawk nose and a great sense of humor and this brilliant mind and a futurist and–whatever great things you heard about him are just a small part of what that man was. I looked down at him sitting behind his desk when I told him the story and I finally shut up, and a huge tear is rolling down his cheek. And he said, “Thank God someone understands what I am trying to achieve.” And he reached down into his drawer and pulled out my letter of resignation and handed it to me, it had already been [laughs] torn up.

Eric Francis

About Eric Francis

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7 Responses to The true story of MLK and Lt. Uhura

  1. yeldell11 says:

    @jlo: i think i love you.

  2. Fe Bongolan says:

    “…that reveals some of the humanity and far reaching impact of Dr. King.”

    Savas:

    What MLK did in asking her to stay was recognition of the power of the media and of important, positive images as role models that do have profound effect on individuals, society and culture.

    MLK knew what he was doing. He was fighting for the future and Nichelle played a key role in that fight.

    This is why many of us who grew up in that era are truly astounded by what happened even in that short period of time 1967-68. We moved ourselves through pretty tough obstacles and we did it through vision and creativity. This is the key factor for now.

  3. Kyla says:

    yes thank you, this is beautiful to know.

  4. stormilarue says:

    tho i’d heard this story before, this brought occular leakage for me as well Fe. tears & cheers in solidarity!

  5. Fe Bongolan says:

    Savas:

    You so nailed this. I don’t know why, but I am weeping.

    Maybe its because everything we fight for must include a vision of the future, which makes this interview very very important, and what we do here crucial.

    Thank you sweetheart. This came at just the right time.

  6. jlo says:

    Exactly, the Universe is strange, and timing is perfect.. don’t forget it. Karma exists in the now and ripples like shockwaves, water. Ego/Cosmic, the land is liquid-fire, ready to be smelted by gentle hands. Kind hands. (I used to bag on myself in the mid-nineties that a good war would bring us closer together, some good old fashioned suffering.. I’m sorry I was correct. Now I know, I just want to move on with making good shit happen. No more violence and inane bigotry’s.)

    I’ve got a few years (perhaps/longest) ’til I’m able to throw out land to be LIVED with. ‘Til then, after this year of reconciliation, it’s making sure others have a SURPLUS to provide for the larger whole, that the networking of LIFE begins/continues with every individual who chooses to throw in a little elbow grease… into the system, and make this planetoid a more kick-ass place!

    Even food, or herbs.. I’ve a motor-home, and I’m hookin’ up lights to get some sustenance runnin’. I want to collect some good endangered species of plant matter (SO, if ya got somethin’ cool, that needs to be grown.. kick-down! I’ve space and time.) ..And my thumb is pretty damned green!

    Peace, ’til all flows merge!

    Luv ya,

    Jere Loscutoff

  7. Judith says:

    Beauty! Credit Nichelle as well with the first [almost] black/white interracial kiss on television … and Rodenberry for his vision.

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